MetroSonic Recording Tips
Here's a collection of tips and quotes from some of the best in
the business!
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"The combination of great vibe
and quality control is what I look for. Some studios invite
creativity by the way they look and feel. A studio that's
well maintained, with a professional staff, allows unfettered
creativity" - Tony Visconti **
Making a recording is a tangle of pragmatism, technology, alchemy
and faith. As is the case with any creative venture, you cannot
know what you'll get for your efforts until you go through the
process; it's always a gamble. Having a plan and a budget can
be really useful. Having the courage to change your plan and amend
your budget as necessary can make or break a project for which
the initial plan/budget doesn't seem to be working… Do you
choose a professional studio and pay through the nose or go to
your friend's bedroom studio and pay through the nose in a different
way? Do you suffer through the dictatorial relationship with a
producer or go it alone with a tyrannical bandleader or even more
terrifying, try to approach it democratically?
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How do you choose a studio? Do you
need a producer? For that matter, do you even need an engineer?
Technology has certainly broken open a field that used to be closed
to any but the lucky few who had somehow managed to get their
foot in the door at a professional studio.
These days, if you can afford a computer and a scant few other
tools, you can open a recording studio, and call yourself a recording
engineer. In fact, many people are making amazing recordings in
their homes by doing just so. The technology has really helped
reinforce that notion that it truly isn't the medium, but the
message.
On the other hand, there is fierce competition to make albums
that sound interesting/good. And just because you own a computer,
some music software, a mic or two and a couple of other pieces
of gear, it don't mean a thing if you don't know what to do with
the stuff. And even if you do own a couple of world-class mics
and pres, and are adept at getting good sounds- do you have enough
equipment to serve the project, as opposed to just enough gear
to require recording the project in a less than advantageous way?
For instance, can you cut your whole band at the same time? If
not, and you go about recording one person at a time to a click,
do you have any idea the toll that will take on the cohesiveness
of your sound? Will the result sound anything like your band?
For that matter, will the result even sound like music?
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"The vibe is always better
at a pro studio, where you're interacting with other professionals
and the options for recording are usually without limit: Analog,
digital, a great mic selection, and the service that only a pro
studio can provide." - Elliot Scheiner **
A bona fide studio with a creative, attentive engineer can be
entirely worth what might at first blush seem like an awful lot
of money per hour. You can take a well-rehearsed band into a well-equipped
studio, play simultaneously into world-class signal chains, in
a room with good isolation and good acoustics, with good headphone
mixes for all and cut a whole album in one day. It's not just
a good idea, it's been done many times in the history of music
recording, often to stellar results.. But you have to be prepared
to make it work this way, and if you've never recorded your band
before you won't know if you're prepared or not until you're actually
doing it.
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"Pro studios provide features
that I can't get in my studio; acoustical ambience, a great sounding
piano, a nice environment. That makes artists feel comfortable
and confident". - Joe Blaney **
Is it imperative to have a producer? Many believe the answer to
this question is ultimately yes- production decisions must be
made along the way and whether it is by one person or committee
and whether or not this person or these people are explicitly
being called "the producer" matters not. Musical decisions
can be made quickly and effectively and the project can move forward
quickly and decisively. There's risk in choosing a producer- will
their vision ultimately serve the band's music/career?
Only time will tell.
The only thing better than working with a good producer is working
with a good producer and a good engineer at the same time. There
is a really good reason why throughout the history of recording,
many of the best recordings have been made with a producer plus
engineer team. Ultimately the two jobs are very different. However,
your budget will decide if you choose to use both.
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"The benefits of recording
in a pro studio are many. Experienced staff, the best equipment,
good attitudes and quality relationships. I find the right
studio setting to be the most important factor. It absolutely
has a bearing on the creative vibe in the room. A great
technical staff and studio ambiance can transport you to another
place." - Dave Hampton **
Ultimately, it is usually a band's budget that is going to dictate
the project's parameters. Is it better to spend $5,000 on enough
gear to twist yourselves into a pretzel, using techniques determined
by the limitations of the gear and its novice operator, or would
it be better to hire a bona fide producer, engineer and studio
for a couple or three days? If you're embarking on a project with
your band, this is what you need to do amongst yourselves- start
talking over these issues now.
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"Established studios offer
great services; on-site maintenance, abundant mics and outboard.
Vintage gear and consoles are very popular but keeping them working
is no small task. When tech problems arise, there's someone
to fix those problems quickly. Client service is also important.
Artists and producers have a wide range of needs. The studios
that meet those needs are remembered fondly." - Julian King
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Please,view quotes from: ** Pro
Sound News
Text written by Bruce Kaphan from The Deli article "How to get
the most out of going into the studio".
You may view the entire article here.
Bruce Kaphan is a musician, composer, producer, engineer and occasional
author living in the San Francisco Bay Area. For more information
please visit www.brucekaphan.com. |
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